Crew of Twelfth Night

	Keith A. Anderson (Director) a professional actor, director, and producer for over 35 years, has directed 15 shows at Coronado Playhouse, including Moon Over Buffalo, Everybody Loves Opal, Murder at the Vicarage, The Mousetrap (twice), A Midsummer Night’s Dream (twice), Much Ado About Nothing, The Tempest, The Hollow (twice) The Taming of the Shrew, Hamlet, I Hate Hamlet, and Social Security (Coronado Playhouse Best Direction Awards and Aubrey nominations for the latter five). He was Artistic Director of the Southwest Ensemble Theater in Phoenix, a professional, resident theatre for 3 years and Drama Director for the City of Phoenix for 7 years. While working in Los Angeles, he was Associate Director and board member of Hollywood Actor’s Theatre and was involved with TV and film. He received his M.A. in theatre from Cal State LA. Of his many productions, the most notable was his direction of the World Premiere in 1973 of William Inge’s The Last Pad which starred then unknown actor Nick Nolte and won nominations from the LA Drama Critics’ Circle. While serving as Drama Director for the City of Phoenix, Anderson started the Phoenix Free Shakespeare Festival, supervised over 80 citywide drama classes, and sponsored a New Playwright’s Festival. His book, An Essay on the Meaning of Hamlet: A Director’s Approach was published in 1979. An updated version with his adapted acting script is due for publication.
	Mary Anderson (Producer/Assistant Director/Costumer) earned her BA in speech, English and drama at the University of Minnesota, her MA at SDSU and has taught for 30 years. Both an actress and technician, Mary has worked in all aspects of theatre, co-producing professional productions with the actor/director husband, Keith. She worked at Santa Barbara Rep as a costume designer and taught theatre classes at Grossmont and SBCC. She works full-time as the library media teacher at Bonita Vista High and works part-time as a library substitute at SDPL. A Coronado Playhouse Board Member and Executive Director of Coronado Playhouse, Mary has won numerous costuming and production awards.
	Teena Correia (Stage Manager) Just about every production in the past five years at the Playhouse has been mounted with the tender, loving care of this gentle, hard-working lady. Talented beyond belief, she fashioned the dozen exquisite ball masks for last summer’s staging of Much Ado About Nothing. She contributed greatly to the weird and wonderful set-dressing of Everybody Loves Opal, and provided award-winning costume design for the ladies of Biloxi Blues. In addition, she has stage-managed more than 12 shows here.
	Eric Hedberg (Lighting/Sound Operator) Eric holds a BA in Anthropology from SDSU. He has appeared previously at the Coronado Playhouse in Much Ado About Nothing, The Ritz, The Secret Affaires of Mildred Wild and Sextet and ran lights and sound for The Hollow and Moon Over Buffalo. He has also appeared in the Lamplighters Theater production of Pull the Curtain, for which he received an ACT nomination for best supporting actor. Eric, a San Diegan since 1975, is an avid amateur astronomer and is currently working on his MA in Anthropology at SDSU.
	Rosemary King (Set Designer) Rosemary started painting scenery for On Stage Playhouse in 1978 for the production of All the Way Home. She has participated in the painting, construction, designing of sets for Scripps Ranch Community Theatre, Clairemont Players, OnStage, Powayand Coronado Playhouse for dozens of plays and has received numerous Aubrey nominations and awards. Rosemary says. “This is a work of love and I will continue to do what I can for as long as I can.”
	Joe Revolinsky (Running Crew) is the Chief of Information Systems for CALTRANS in San Diego and Imperial Counties. He is a retired F-4/F-14 Naval Flight Officer and holds an MBA from the University of West Florida and a BA from Notre Dame. Joe is returning to the stage for the first time after 30 years serving his country and working overseas as a Command and Control Information Specialist. His previous actingand stage experience included Twelve Angry Men, Dial” M” for Murder, Mr. Roberts and The Merchant of Venice.
	Suzanne Sebenaler (Set Dressing) Suzanne developed a love for theatre while in high school. Favorite roles were in The Importance of Being Earnest, Shotgun Wedding, and Catherine in Wuthering Heights. The acting torch has since been passed to daughter, Hannah, while Suzanne have turned to dressing sets here at the Coronado Playhouse for The Hollow, Lend Me a Tenor, Everybody Loves Opal, Angels Among Us, The Mousetrap, Murder at the Vicarage, Taming of the Shrew, Much Ado About Nothing, and others.