Keith A. Anderson (Director) a professional actor, director, and producer for over 35 years, has directed 12 shows at CPH; others include: Everybody Loves Opal, Murder at the Vicarage, The Mousetrap (twice), The Hollow, A Midsummer Night’s Dream (twice), The Tempest, The Taming of the Shrew, Hamlet, I Hate Hamlet, and Social Security (CPH Best Direction Awards and Aubrey nominations for the latter four). He was Artistic Director of the Southwest Ensemble Theater in Phoenix, a professional, resident theatre for 3 years and Drama Director for the City of Phoenix for 7 years. While working in LA, he was Associate Director and board member of Hollywood Actor’s Theatre and was involved with TV and film. He received his M.A. in theatre from Cal State LA. Of his many productions, the most notable was his direction of the World Premiere in 1973 of William Inge’s The Last Pad which starred then unknown actor Nick Nolte and won nominations from the LA Drama Critics’ Circle. While serving as Drama Director for the City of Phoenix, Anderson started the Phoenix Free Shakespeare Festival, supervised over 80 citywide drama classes, and sponsored a New Playwright’s Festival. His book, An Essay on the Meaning of Hamlet: A Director’s Approach was published in 1979. An updated version with his adapted acting script is due for publication
The Crew
Director
 Keith A. Anderson
Producer/Assistant Director
 Mary Anderson
Show Choreographer
 Kathryn Lee Moss
Preshow Music/Choreography
 Cornell Ellison
Stage Managers
 Marcus and Teena Correia
Set Designer
 Rosemary King
Set Construction
 Rosemary King, Marcus Correia
Martin M. White, Eric Hedberg
Matthew Joyce
Set Decoration
 Suzanne Sebenaler
Lighting Design
 Bob Mutch, John Bridges
Dale Goodman
Sound Design
 Bob Mutch
Lighting/Sound Operator
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Costume Design
 Mary Anderson, Cornell Ellison
Rhianna Cultron
Costume Construction
 Mary Anderson, Cornell Ellison
Rhianna Cultrona, Jody E. Hopper
Vivian Eddy, Linda Selke
Margo Selensky
Masks
 Teena Correia
Props
 Annette Hackim
Publicity
 Carlyn Ames, Mary Anderson
Flyer Distribution
 George Blum, Riley Blum
Eric Hedberg, the Coronets
the Cast
Program Photos
 Marat
Lobby Photos
 Doug Musolf
Videographer
 John Pauter
Usher Coordinator
 Brian Berlow
Web Site Host
 Clay Heitman & Merkury Consulting
Web Site and Program Designer
 Lee Dronick & Computer Arts Design
Theatre Executive Director
 Jo Anne Scott
Box Office Staff
 Betsy Kurt, Tina Greenstreet
Mary Anderson (Producer/Assistant Director) earned her BA in speech, English and drama at the University of Minnesota, her MA at SDSU and has taught for 30 years. Both an actress and technician, Mary has worked in all aspects of theatre, co-producing professional productions with the actor/director husband, Keith. She worked at Santa Barbara Rep as a costume designer and taught theatre classes at Grossmont and SBCC. She works full-time as the library media teacher at Bonita Vista High and works part-time as a library substitute at SDPL. A CPH Board Member, Mary has won numerous costuming and production awards.

Kathryn Lee Moss (Show Choreographer) is excited to combine her love of theatre and dance for this production. Past choreography credits include Henry V, The School For Wives, The Grasshopper and The Ant, and a musical review including songs from The Pajama Game and Funny Girl. Also a director and actor, Kathryn directed Verdict for CPH and was seen in last summer’s Taming of the Shrew.

Teena Correia (Stage Manager and Mask Artist) is an Imperial Beach resident who started working backstage at the Coronado Playhouse in 1997 on The Tempest. She also provided technical support for Angels Among Us and Taming of the Shrew and served as Stage Manager for The Uninvited, Rumors, Murder at the Vicarage, California Suite, and Everybody Loves Opal.

Cornell Ellison (Preshow music/choreography) does tech work, performs, and directs at many theatres, primarily Coronado Playhouse and OnStage. She directed an Evening With Gershwin at Coronado Playhouse in 2000 and Bah Humbug at OnStage in 2001.

Annette Hackim (Props) is a Coronado resident who has worked backstage and on props at CPH on Everybody Loves Opal, Rumors and Murder at the Vicarage.

Rosemary King (Set Designer and Set Construction) Rosemary started painting scenery for OnStage in 1978 for All the Way Home. She has built or designed sets for Scripps Ranch Community Theatre, Clairemont Players, OSP, Poway and CHP. Even in high school she was pulled from the art class to paint backdrops at the Junior College Theatre. Credits include Everybody Loves Opal, California Suite, Rumors, King Richard the Third, Harold, A Walk in the Woods, It’s Only a Play, To Kill a Mockingbird, Pinocchio and others. "This is a work of love and I will continue to do what I can for as long as I can."

Suzanne Sebenaler (Set Dressing) Suzanne developed a love for theatre while in high school. Favorite roles were in The Importance of Being Earnest, Shotgun Wedding, and Catherine in Wuthering Heights. The acting torch has since been passed to daughter, Hannah, while Suzanne has turned to dressing sets here at the Coronado Playhouse for three years and many shows.

Coronado Playhouse 1775 Strand Way, Coronado CA 92118, 619-435-4856
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