Crew of The Mousetrap

Crew and Theatre Staff

Director	Keith A. Anderson
Producer/Asst Director	Mary Anderson
Production Coordinator	Ashley Gardner
Stage Manager	Teena Correia
Set Design	Rosemary King
Set Dressing	Ashley Gardner and Peter Meisen
Construction Crew	Rosemary King, Jane Russell
	Sheila Robertson, Lee Dronick, Feather Lawson
	Ashley Gardner, Peter Meisen, Jo and Jim Scott
	Cindy Sanders, Kent, Renee and Kim Gandola
	Elaine Nelson, Richard and Vanessa Jones
	Fran Palmer, Robert Palmer, Eric Hedberg
	ShirleyDuffy, Patty Fay, Marcus and Teena Correia
	Eva Kvaas, Tom Haine, George Blum, Michael Fischer
	Melanie Melville, Terence J. Burke, Eric West
	Daniel Rock, Richard Herring, Eric Hensley
	Dennis Buckvetz, Mary Anderson, Dale Goodman
	Howard and Vivian Eddy, Maria Ayala
Sound Design	Bob Mutch
Lighting Design	Bob Mutch, Dale Goodman
	Thom and David Waldman
Lighting/Sound Operator	Eric Hedberg
Costume Design	Mary Anderson
Props	Teena Correia
Running Crew	Patty Fay, Vanessa Jones
Production Photos	Doug Musolf, Lisa Smith
Ad Sales	Carolyn Sykes, Ashley Gardner
Publicity	Ashley Gardner, Mary Anderson, Renee Gandola
Flyer Distribution	Elaine Nelson, Mary Ellen Walther
Opening Night Gala Chair	Cindy Wilson
Web and Program Design	Lee Dronick, www.computerarts.biz
Web Site Host	Clay Heitman, www.merkury.com
Theatre Executive Director	Mary Anderson
Usher Coordinators	Mary Ellen and Dave Dilley
Box Office Staff	Tina Greenstreet

	Keith A. Anderson (Director) a professional actor, director, and producer for over 35 years, has directed 15 shows at Coronado Playhouse, including Moon Over Buffalo, Everybody Loves Opal, Murder at the Vicarage, The Mousetrap (twice), A Midsummer Night’s Dream (twice), Twelfth Night, Much Ado About Nothing, The Tempest, The Hollow (twice) The Taming of the Shrew, Hamlet, I Hate Hamlet, and Social Security (Coronado Playhouse Best Direction Awards and Aubrey nominations for the latter ﬁve). He was Artistic Director of the Southwest Ensemble Theater in Phoenix, a professional, resident theatre for 3 years and Drama Director for the City of Phoenix for 7 years. While working in Los Angeles, he was Associate Director and board member of Hollywood Actor’s Theatre and was involved with TV and ﬁlm. He received his M.A. in theatre from Cal State LA. Of his many productions, the most notable was his direction of the World Premiere in 1973 of William Inge’s The Last Pad which starred then unknown actor Nick Nolte and won nominations from the LA Drama Critics’ Circle. While serving as Drama Director for the City of Phoenix, Anderson started the Phoenix Free Shakespeare Festival, supervised over 80 citywide drama classes, and sponsored a New Playwright’s Festival. His book, An Essay on the Meaning of Hamlet: A Director’s Approach was published in 1979. An updated version with his adapted acting script is due for publication.
	Mary Anderson (Producer/Assistant Director) earned her BA in speech, English and drama at the University of Minnesota, her MA at SDSU and has taught for 31 years. Both an actress and technician, Mary has worked in all aspects of theatre, co-producing professional productions with the actor/director husband, Keith. She worked at Santa Barbara Rep as a costume designer and taught theatre classes at Grossmont and SBCC. She works full-time as the library media teacher at Bonita Vista High and works part-time as a library substitute at SDPL. A Coronado Playhouse Board Member, Mary has won numerous costuming and production awards.
	Ashley Gardner (Production Coordinator) Ms Gardner has been in and around local theatre since she moved to San Diego in 1980. She is known for her radio and television work including 4 years at NBC Channel 39. During past 15 years she has produced numerous ﬁlms and documentaries examining social issues and solutions in our community. Recently, she became the proud new grandmother of baby Maxwell. Ashley is thrilled to have been able to be part of the Pavilion Team and the new Coronado Playhouse. It’s been a great adventure. Thanks to all - especially Jo and hubby, Peter.
	Peter Meisen (Set Construction) Peter is the President of the Global Energy Network Institute (www.geni.org), working to link renewable energy resources around the world. He also does whatever his wife (Ashley Gardner) asks when the theater needs an extra hand.
	Teena Correia (Stage Manager) Just about every production in the past ﬁve years at the Playhouse has been mounted with the tender, loving care of this gentle, hard-working lady. Talented beyond belief, she fashioned the dozen exquisite ball masks for last summer’s staging of Much Ado About Nothing. She contributed greatly to the weird and wonderful set-dressing of Everybody Loves Opal, and provided award-winning costume design for the ladies of Biloxi Blues. In addition, she has stage-managed more than 12 shows here.
	Eric Hedberg (Lighting/Sound Operator) Eric holds a BA in Anthropology from SDSU. He has appeared previously at the Coronado Playhouse in Much Ado About Nothing, The Ritz, The Secret Affaires of Mildred Wild and Sextet and ran lights and sound for The Hollow and Moon Over Buffalo. He has also appeared in the Lamplighters Theater production of Pull the Curtain, for which he received an ACT nomination for best supporting actor. Eric, a San Diegan since 1975, is an avid amateur astronomer and is currently working on his MA in Anthropology at SDSU.
	Rosemary King (Set Designer) Rosemary started painting scenery for On Stage Playhouse in 1978 for the production of All the Way Home. She has participated in the painting, construction, designing of sets for Scripps Ranch Community Theatre, Clairemont Players, OnStage, Poway and Coronado Playhouse for dozens of plays and has received numerous Aubrey nominations and awards. Rosemary says. “This is a work of love and I will continue to do what I can for as long as I can.”
	Bob Mutch (Sound/Lighting Design) Bob performed as Conrad in Much Ado and as Feste in Twelfth Night. His Lighting/Sound Design credits include: Twelfth Night, Moon Over Buffalo, The Hollow, Much Ado About Nothing, Biloxi Blues, The Tempest, and Cinderella (for which he received Aubrey nominations). By day, he works as a graphic artist and moonlights as a technical communications consultant www.PickBobsBrain.com).
	Patty Fay (set/running crew), a performer, dancer, and technician for 28 years is working on her 11^th show at CPH. She has performed with the Metropolitan Educational Children’s Theatre, is an extra with the San Diego Opera, an extra with Stu Segall Productions, does Vaudeville routines, and is currently touring with a USO show.
	Kent Gandola (Pavilion Team) Kent is a Coronado Playhouse Board Member and participated in the planning, design and construction of the Pavilion. He is currently an engineering manager at the local biotech ﬁrm Nanogen, Inc. Kent earned an engineering degree from Cal Poly Pomona, and an MBA from the University of San Diego. He is the driving force behind his family’s activity in theater and athletics - he drives them here, he drives them there, he drives them everywhere
	Lee Dronick (Program and Web Site Design) Lee is a retired Navy Senior Chief. After his military service he worked for several software companies before starting his own graphic design and computer consulting ﬁrm. Lee was a theater technician during high school years and also worked in the school print shop, so doing projects for the Coronado Playhouse come natural to him.