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Keith A. Anderson
(Director) a professional actor,
director, and producer for over 35 years, has directed 14 shows at CPH,
including Everybody Loves Opal, Murder at the Vicarage, The Mousetrap (twice), The Hollo (twice), A Midsummer Night's Dream (twice), Much Ado About Nothing, The Tempest, The
Taming of the Shrew, Hamlet, I Hate Hamlet, and Social Security (CPH Best Direction Awards and Aubrey nominations for the latter four). He was Artistic Director of the Southwest Ensemble Theater in Phoenix, a professional, resident theatre for 3 years and Drama Director for the City of Phoenix for 7 years. While working in Los Angeles, he was Associate Director and board member of Hollywood Actor's Theatre and was involved with TV and film. He received his M.A. in theatre from Cal State LA. Of his many productions, the most notable was his direction of the World Premiere in 1973 of William Inge's The Last
Pad which starred then unknown actor Nick Nolte and won nominations from the LA Drama Critics' Circle. While serving as Drama Director for the City of Phoenix, Anderson started the Phoenix Free Shakespeare Festival, supervised over 80 citywide drama classes, and sponsored a New Playwright's Festival. His book, An Essay on the Meaning of Hamlet: A Director's Approach was published in
1979. An updated version with his adapted acting script is due for publication. |
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Mary Anderson
(Producer/Assistant Director) earned her BA in speech, English and drama at the University of Minnesota, her MA at SDSU and has taught for 30 years. Both an actress and technician, Mary has worked in all aspects of theatre, co-producing professional productions with the actor/director husband, Keith. She worked at Santa Barbara Rep as a costume designer and taught theatre classes at Grossmont and SBCC. She works full-time as the library media teacher at Bonita Vista High and works part-time as a library substitute at SDPL. A Coronado Playhouse Board Member and Executive Director of Coronado Playhouse, Mary has won numerous costuming and production awards. |
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Teena Correia (Stage
Manager) Just about every production
in the past five years at the Playhouse has been mounted with the tender,
loving care of this gentle, hard-working lady. Talented beyond belief, she
fashioned the dozen exquisite ball masks for this summer's staging of Much
Ado About Nothing. She contributed
greatly to the weird and wonderful set-dressing of Everybody Loves Opal, and provided award-winning costume design for the
ladies of Biloxi Blues. In
addition, she has stage-managed more than ten shows here. |
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Rhianna Cultrona (costumes) has been active in theatre her entire life. A theatre student throughout high school, she is now a theatre/advertising major in her third year at SDSU. In addition to academic theatre, she has also performed in many venues in the San Diego area including OnStage Playhouse, where she received an award for Best Supporting Actress in a Drama, the Fault Line theatre in Hillcrest, and CPH in Much Ado About Nothing. |
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Rosemary King (Set
Designer & Set Construction)
Rosemary started painting scenery for OnStage Productions, now On Stage
Playhouse in 1978 for the production of All the Way Home. She has participated in the painting, construction, designing of sets for SRT, Clairemont Players, OSP, Poway and Coronado Playhouse. I was taken out of my art class way back in high school to help with the backdrops at the Junior College Theatre. Her credits include Much Ado About Nothing, Everybody Loves Opal, Verdict, King Richard the Third, Harold, A Walk in the Woods, It's Only a Play, To Kill a Mockingbird, Pinocchio and many more. Rosemary says, "This is a work of love and I will continue to do what I can for as long as I can." |
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Bob Mutch (Sound Design) Lighting/Design credits include: The Hollow, Much Ado About Nothing, Biloxi, Blues, and Cinderella. Much Ado marked Bob's first performing role for the Coronado Playhouse, having served as light and sound technician for The Tempest
in 1999. By day, he works as a graphics coordinator at a north county
archaeology firm, while moonlighting as a consultant (PickBobsBrain.com), and as a student at SDSU |
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Suzanne Sebenaler (Set
Dressing) Suzanne developed a love
for theatre while in high school. Favorite roles were in The Importance of
Being Earnest, Shotgun Wedding, and
Catherine in Wuthering Heights.
The acting torch has since been passed to daughter, Hannah, while Suzanne have
turned to dressing sets here at the Coronado Playhouse for The Hollow, Lend
Me a Tenor, Everybody Loves Opal,
Angels Among Us, The Mousetrap, Murder at the Vicarage, Taming of the Shrew,
Much Ado About Nothing, and others. |
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Eric Hedberg (Lighting/Sound Operator) Eric holds a BA in Anthropology from SDSU. He has appeared previously at the Coronado Playhouse in Much Ado About Nothing, The Ritz, The Secret Affaires of Mildred Wild and Sextet and ran lights and sound for The Hollow. He has also appeared in the Lamplighters Theater production of Pull the Curtain, for which he received an ACT nomination for best supporting actor. Eric, a San Diegan since 1975, is an avid amateur astronomer and is currently working on his MA in Anthropology at SDSU |
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Sharon Boskovich (Running Crew) Sharon served as stage manager for Taming of the Shrew, California Suite, and worked on The Verdict and The Hollow. Sharon’s previous experience in theatre includes acting classes at the Old Globe Theatre. |
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Production Crew
& Theater Staff
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Director
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Keith A. Anderson
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Producer/Asst. Director
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Director Mary Anderson
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Stage Manager
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Teena Correia
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Assistant Stage Manager
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Marcus Allen Correia |
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Set Designer
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Rosemary King
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Set Construction
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Rosemary King, Eric Hedberg, Patty Fay
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Sharon Bowen, Patty Fay, Dale Goodman
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Marcus Allen Corriea, Jane Russell |
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Set Dressing
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Suzanne Sebenaler
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Sound Design
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Bob Mutch
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Lighting Design
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Dale Goodman
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Lighting/Sound Operator
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Eric Hedberg
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Costume Design
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Mary Anderson and Rhianna Cultrona
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Costume Crew
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Rhianna Cultrona
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Props
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Teena Correia
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Running Crew
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Patty Fay & Sharon Boskovich
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Lobby Display
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Suzanne Sebenaler
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Production Photos
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Doug Musolf
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Publicity
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Mary Anderson
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Web and Program Design
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Lee Dronick, Computer Arts
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Web Site Host
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Clay Heitman, Merkury Consulting
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Theatre Executive Director
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Mary Anderson
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Usher Coordinators
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Mary Ellen & Dave
Dilley
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Box Office Staff
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Betsy Kurt & Tina
Greenstreet
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Gayle Hammett
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