Untitled Page

Director	Keith A. Anderson
Producer/Asst Director/PR	Mary Anderson
Fight Choreographer	Jeffrey Lippold
Dance Choreographer	Jillian Pizzuto
Stage Manager and props	Teena Correia
Set Design	James Gary Byrd & Rosemary King
Construction Crew	Rosemary King James Gary Boyd, Jane Russell Tim Montes, Ben Morales, Eric Hensley, Marcus & Teena Corriea, Elaine Nelson, Ashley Gardner Martin White Peter Meisen, Jillian Pizzuto, Richard & Vanessa Jones Renée, Kent & Rafe Gándola, Maria Ayala, Dale Goodman
Sound Design	Michael Shapiro
Lighting Design	Dale Goodman
Lighting/Sound Operator	Eric Hedberg
Costume Design	Mary Anderson & Jo Anne Scott
Costume Crew	Margo Selensky Claire White Vivian Eddy
Production Photos	Doug Musolf
Ad Sales	Carolyn Sykes Ashley Gardner
Web and Program Design	Lee Dronick, www.computerarts.biz
Web Site Host	Clay Heitman, www.merkury.com
Theatre Manager	Ashley Gardner
Box Office and Usher Coordinator	Tina Greenstreet

	Keith A. Anderson (Director) a professional actor, director, and producer for over 35 years, has directed 18 productions at Coronado Playhouse, including Moon Over Buffalo, Everybody Loves Opal, Murder at the Vicarage, The Mousetrap (thrice), A Midsummer Night’s Dream (twice), Twelfth Night, Much Ado About Nothing, The Tempest, The Hollow (twice) The Taming of the Shrew, Hamlet, I Hate Hamlet, and Social Security (Coronado Playhouse Best Direction Awards and Aubrey nominations for the latter ﬁve). He was Artistic Director of the Southwest Ensemble Theater in Phoenix, a professional, resident theatre for 3 years and Drama Director for the City of Phoenix for 7 years. While working in Los Angeles, he was Associate Director and board member of Hollywood Actor’s Theatre and was involved with TV and ﬁlm. He received his M.A. in theatre from Cal State LA. Of his many productions, the most notable was his direction of the World Premiere in 1973 of William Inge’s The Last Pad which starred then unknown actor Nick Nolte and won nominations from the LA Drama Critics’ Circle. While serving as Drama Director for the City of Phoenix, Anderson started the Phoenix Free Shakespeare Festival, supervised over 80 citywide drama classes, and sponsored a New Playwright’s Festival. His book, An Essay on the Meaning of Hamlet: A Director’s Approach was published in 1979. An updated version with his adapted acting script is due for publication
	Mary Anderson (Producer/Assistant Director) earned her BA in speech, English and drama at the University of Minnesota, her MA at SDSU and has taught for 31 years. Both an actress and technician, Mary has worked in all aspects of theatre, co-producing professional productions with the actor/director husband, Keith. She worked at Santa Barbara Rep as a costume designer and taught theatre classes at Grossmont and SBCC. She works full-time as the library media teacher at Bonita Vista High and works part-time as a library substitute at SDPL. A Coronado Playhouse Board Member, Mary has won numerous costuming and production awards.
	Teena Correia (Stage Manager) Just about every production in the past six years at the Playhouse has been mounted with the tender, loving care of this gentle, hard-working lady. Talented beyond belief, she fashioned the dozen exquisite ball masks for Much Ado About Nothing. She contributed greatly to the weird and wonderful set-dressing of Everybody Loves Opal, and provided award-winning costume design for the ladies of Biloxi Blues. In addition, she has stage-managed 15 shows here, for which she recieved a STAR Award from SDPAL, along with her husband Marcus, for volunteer contributions to the Coronado Playhouse Pavilion.
	Lee Dronick (Program and Web Site Design) Lee is a retired Navy Senior Chief. After his military service he worked for several software companies before starting his own graphic design and computer consulting ﬁrm. Lee was a theater technician during high school years and also worked in the school print shop, so doing projects for the Coronado Playhouse come natural to him.
	Eric Hedberg (Lighting/Sound Operator) Eric holds a BA in Anthropology from SDSU. He has appeared previously at the Coronado Playhouse in Much Ado About Nothing, The Ritz, The Secret Affaires of Mildred Wild and Sextet and ran lights and sound for The Mousetrap, The Hollow and Moon Over Buffalo. He has also appeared in the Lamplighters Theater production of Pull the Curtain, for which he received an ACT nomination for best supporting actor. Eric, a San Diegan since 1975, is an avid amateur astronomer and is currently working on his MA in Anthropology at SDSU.
	Dale Goodman (Lighting Design) is the VP of Operations for San Diego Valet and Parking Service. He has been an active theatre technician since 1990. Dale’s credits include extra work in local motion pictures, acting, lighting, set, & sound design for numerous shows at Coronado Playhouse, and a 1998 Aubrey for technical direction of I Hate Hamlet. Dale has also volunteered at the Hahn, Sweetooth, & the Casa del Prado.
	Rosemary King (Set Construction/Scenic Painting) Rosemary started painting scenery for On Stage Playhouse in 1978 for the production of All the Way Home. She has participated in the painting, construction, designing of sets for Scripps Ranch Community Theatre, Clairemont Players, OnStage, Poway and Coronado Playhouse for dozens of plays and has received numerous Aubrey nominations and awards. Rosemary says. “This is a work of love and I will continue to do what I can for as long as I can.”
	Michael Shapiro (Sound Design) Michael, a retired Electrical Engineer, has had a life-long passion for theater and has designed sound for more than 100 productions in San Diego County, working from his home studio. Michael has designed for several other Coronado Playhouse shows.