Staff and Crew of the Hollow

Production Crew & Theater Staff
Director	Keith A. Anderson
Producer/Assistant	Director Mary Anderson
Stage Manager	Teena Correia
Set Designer	Rosemary King
Set Construction	Rosemary King
	And the cast
Lighting/Sound Design	Bob Mutch
Lighting/Sound Operator	Peter Gardner
Costume Design	Mary Anderson
	And the cast
Costume Dresser	Claire White
Props	Patty Fay
	Teena Correia
	Sharon Boskovich
Running Crew	Annette Hackim
	Patty Fay
	Sharon Boskovich
Set Dressing and Lobby Display	Suzanne Sebenaler
Production Photos	Doug Musolf
Publicity	Mary Anderson
Web and Program Design	Lee Dronick, Computer Arts
Web Site Host	Clay Heitman, Merkury Consulting
Theatre Executive Director	Jo Anne Scott
Usher Coordinators	Mary Ellen
	Dave Dilley
Box Office Staff	Betsy Kurt
	Tina Greenstreet

	Keith A. Anderson (Director) a professional actor, director, and producer for over 35 years, has directed 13 shows at CPH, including Everybody Loves Opal, Murder at the Vicarage, The Mousetrap (twice), The Hollow, A Midsummer Night’s Dream (twice), Much Ado About Nothing, The Tempest, The Taming of the Shrew, Hamlet, I Hate Hamlet, and Social Security (CPH Best Direction Awards and Aubrey nominations for the latter four). He was Artistic Director of the Southwest Ensemble Theater in Phoenix, a professional, resident theatre for 3 years and Drama Director for the City of Phoenix for 7 years. While working in Los Angeles, he was Associate Director and board member of Hollywood Actor’s Theatre and was involved with TV and film. He received his M.A. in theatre from Cal State LA. Of his many productions, the most notable was his direction of the World Premiere in 1973 of William Inge’s The Last Pad which starred then unknown actor Nick Nolte and won nominations from the LA Drama Critics’ Circle. While serving as Drama Director for the City of Phoenix, Anderson started the Phoenix Free Shakespeare Festival, supervised over 80 citywide drama classes, and sponsored a New Playwright’s Festival. His book, An Essay on the Meaning of Hamlet: A Director’s Approach was published in 1979. An updated version with his adapted acting script is due for publication.
	Mary Anderson (Producer/Assistant Director) earned her BA in speech, English and drama at the University of Minnesota, her MA at SDSU and has taught for 30 years. Both an actress and technician, Mary has worked in all aspects of theatre, co-producing professional productions with the actor/director husband, Keith. She worked at Santa Barbara Rep as a costume designer and taught theatre classes at Grossmont and SBCC. She works full-time as the library media teacher at Bonita Vista High and works part-time as a library substitute at SDPL. A CPH Board Member, Mary has won numerous costuming and production awards.
	Teena Correia (Stage Manager) Just about every production in the past four years at the Playhouse has been mounted with the tender, loving care of this gentle, hard-working lady. Talented beyond belief, she fashioned the dozen exquisite ball masks for this summer's staging of Much Ado About Nothing. She contributed greatly to the weird and wonderful set-dressing of Everybody Loves Opal, and provided costume design for the ladies of Biloxi Blues. In addition, she has stage-managed more than eight shows here.
	Rosemary King (Set Designer & Set Construction) Rosemary started painting scenery for OnStage Productions, now On Stage Playhouse in 1978 for the production of All the Way Home. She has participated in the painting, construction, designing of sets for Scripps Ranch Community Theatre, Clairemont Players, OSP, Poway and Coronado Playhouse. I was taken out of my art class way back in high school to help with the backdrops at the Junior College Theatre. Her credits include Much Ado About Nothing, Everybody Loves Opal, Verdict, King Richard the Third, Harold, A Walk in the Woods, It’s Only a Play, To Kill a Mockingbird, Pinocchio and many more. Rosemary says… “This is a work of love and I will continue to do what I can for as long as I can.”
	Bob Mutch (Lighting/Sound) Lighting/Design credits include: Much Ado About Nothing, Biloxi, Blues, and Cinderella. Much Ado marked Bob’s first performing role for the Coronado Playhouse, having served as light and sound technician for The Tempest in 1999. By day, he works as a graphics coordinator at a north county archaeology firm, while moonlighting as a consultant (PickBobsBrain.com), and as a student at SDSU.
	Sharon Boskovich (Costumes/Props) Sharon served as stage manager for Taming of the Shrew, California Suite, and worked on The Verdict. Sharon’s previous experience in theatre includes acting classes at the Old Globe Theatre.
	Annette Hackim (Props) is a Coronado resident who has worked backstage and on props at Coronado Playhouse on Rumors, Murder at the Vicarage, Everybody Loves Opal, Much Ado About Nothing,and Cinderella.
	Suzanne Sebenaler (Set Dressing) Suzanne developed a love for theatre while in high school. Favorite roles were in The Importance of Being Earnest, Shotgun Wedding, and Catherine in Wuthering Heights. The acting torch has since been passed to daughter, Hannah, while Suzanne have turned to dressing sets here at the Coronado Playhouse for Everybody Loves Opal, Angels Among Us, The Mousetrap, Murder at the Vicarage, Taming of the Shrew, Much Ado About Nothing, and others.
	Patty Fay (Props) Patty started her career with the theatre as a dancer. She has danced for over twenty-seven years (ballet, tap, jazz, as well as theatre dance). She choreographed, sang, and danced in Gian Carlo Menotti’s one-act Children’s Opera, Amahl and the Night Visitor in 1999. She has performed with the Metropolitan Educational Children’s Theatre, dancing in Peter Pan, Joseph and the Amazing Technicolor Dreamcoat, Big River, and, this spring, The Wiz. She is an extra with the San Diego Opera and was in The Magic Flute two years ago. She is also an extra with Stu Segall Productions and was in episodes of The Invisible Man and The Chronicle. She appeared in Moving Violation with the Community Actors Theatre. This is her eighth show at Coronado Playhouse. She does Vaudeville routines and will appear in Sound of Music with Metropolitan Children’s Theatre next spring.

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